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home·artworks·Portrait of knight in armor
Portrait of knight in armor by Armando Montaner Valdueza

plate no. 4804

Portrait of knight in armor

Armando Montaner Valdueza

oilRealismportraitportraitfigurearmormalefacial hair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow to create form. It will also provide practice in painting textures like hair and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and armor.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color for the skin, hair, and armor.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the texture of the hair and beard with small, broken brushstrokes.

  6. step 06

    Add details to the armor, including highlights and reflections.

  7. step 07

    Refine the background and edges to create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Mix skin tones using titanium white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the metallic sheen of the armor by mixing ivory black and titanium white with small amounts of yellow ochre and burnt umber.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ivory black, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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