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home·artworks·Portrait of Joseph Daumang
Portrait of Joseph Daumang by Nikolai Ge

plate no. 2449

Portrait of Joseph Daumang

Nikolai Ge, 1868

oilRealismportraitportraitfiguremanbeardclothingformal
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding values and creating depth using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and face using light pencil lines.

  2. step 02

    Establish the background color with a thin wash of dark red and brown.

  3. step 03

    Block in the main areas of the face, hair, and clothing with broad strokes of color, focusing on value rather than detail.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Add details to the hair and beard, using small, broken strokes to create texture.

  6. step 06

    Develop the clothing, using darker values to create depth and dimension.

  7. step 07

    Add subtle highlights to the face and clothing to enhance the overall sense of realism.

  8. step 08

    Refine the edges and details, making sure to maintain a sense of unity and harmony throughout the painting.

color palette

primary · ivory black · burnt umber · raw sienna

secondary · cadmium red · titanium white

Skin tones are achieved by mixing raw sienna, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Darker areas are created by adding ivory black and burnt umber to the mixture.

techniques

  • ·underpainting
  • ·value study
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and not enough value contrast.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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