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home·artworks·Portrait of John Everett Millais
Portrait of John Everett Millais by John Everett Millais

plate no. 0622

Portrait of John Everett Millais

John Everett Millais, 1853

oilRealismself-portraitportraitfiguremanhairclothingoval
some experience helpful

Recreating this portrait will help students practice layering colors with dry media and capturing likeness through careful observation of proportions and values. It also encourages expressive mark-making to convey texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape of the portrait and the basic proportions of the head and shoulders.

  2. step 02

    Refine the sketch, paying close attention to the angles and curves of the facial features.

  3. step 03

    Begin layering light values using a light grey or brown pastel or pencil to establish the overall form.

  4. step 04

    Gradually build up darker values in the shadows, using a darker grey, brown, or black.

  5. step 05

    Introduce color, starting with the hair and clothing. Use light, overlapping strokes to blend colors.

  6. step 06

    Focus on capturing the subtle variations in skin tone, using pinks, yellows, and browns.

  7. step 07

    Add details such as the eyes, nose, and mouth, paying close attention to their shape and placement.

  8. step 08

    Refine the edges and add final touches to create a sense of depth and realism.

color palette

primary · burnt umber · ivory black · white · Prussian blue

secondary · cadmium red light · yellow ochre · violet

Mix skin tones by blending white with small amounts of burnt umber, cadmium red light, and yellow ochre. Use Prussian blue and violet to create the color of the shirt. Mix burnt umber and cadmium red light for the hair.

techniques

  • ·Hatching and cross-hatching
  • ·Layering
  • ·Blending
  • ·Value studies
  • ·Color mixing

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Failing to capture the correct proportions of the face.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in value and color.

materials

surface · pastel paper

required

  • ·Sketchbook or pastel paper
  • ·Graphite pencils (HB, 2B, 4B)
  • ·Pastel pencils or soft pastels
  • ·Eraser
  • ·Blending stumps or tortillons
  • ·Fixative spray

optional

  • ·Kneaded eraser
  • ·Chamois cloth
  • ·Palette for mixing pastels

Choose a pastel paper with a slightly textured surface to help the pastels adhere. Consider using tinted paper to create a more atmospheric effect.

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oil painting for beginners →how to learn by studying the masters →
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