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home·artworks·Portrait of Jean de la Chambre at the age of 33
Portrait of Jean de la Chambre at the age of 33 by Frans Hals

plate no. 0500

Portrait of Jean de la Chambre at the age of 33

Frans Hals, 1638

oil, panelBaroqueportraitportraitfiguremanruffhandpen
some experience helpful

This painting is a great exercise in portraiture, focusing on capturing likeness and using a limited palette to create depth and form. Students will learn to blend skin tones and create realistic fabric textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the face, using a mix of white, ochre, and a touch of red.

  4. step 04

    Paint the dark areas of the clothing with black and burnt umber, paying attention to the folds and drapery.

  5. step 05

    Carefully render the details of the face, including the eyes, nose, and mouth, using small brushstrokes and subtle color variations.

  6. step 06

    Paint the white ruff, using a combination of white and grey to create highlights and shadows.

  7. step 07

    Add the details of the hand and pen, paying attention to the anatomy and perspective.

  8. step 08

    Refine the overall composition and add any final touches to complete the painting.

color palette

primary · titanium white · burnt umber · raw sienna · yellow ochre

secondary · ivory black · cadmium red light

Mix skin tones using white, ochre, a touch of red, and umber. Use umber and black for dark clothing. Achieve the ruff's highlights with pure white and shadows with grey (white + black).

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Incorrect proportions of the face and body.
  • →Ignoring the subtle color variations in the shadows.
  • →Overworking the details before establishing the overall form.
  • →Not paying attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth texture for easier blending. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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