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home·artworks·Portrait of Jean Baptiste Gayot Dubuisson
Portrait of Jean Baptiste Gayot Dubuisson by Antoine Pesne

plate no. 5266

Portrait of Jean Baptiste Gayot Dubuisson

Antoine Pesne, 1725

oil, canvasBaroqueportraitportraitfiguredogpaletteclothingchair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding chiaroscuro and creating depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and dog.

  2. step 02

    Establish the dark background using thin layers of dark brown and black.

  3. step 03

    Block in the main shapes of the figure's clothing and the dog with mid-tone browns and tans.

  4. step 04

    Begin building up the highlights and shadows on the face, using thin glazes of color.

  5. step 05

    Refine the details of the clothing, including the buttons, trim, and fabric folds.

  6. step 06

    Add details to the dog, focusing on its fur and facial features.

  7. step 07

    Paint the palette and brushes, paying attention to the colors and textures.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · raw sienna · gold

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Use burnt umber and ivory black to create the dark browns and blacks for the background and clothing. Mix raw sienna with white for the lighter browns.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create enough contrast between the highlights and shadows.
  • →Ignoring the subtle details of the clothing and dog.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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