apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Jan Stanislawski
Portrait of Jan Stanislawski by Oleksandr Murashko

plate no. 0760

Portrait of Jan Stanislawski

Oleksandr Murashko, 1906

oilRealismportraitportraitfiguremanclothingchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating depth through value and color variations. It also offers practice in loose brushwork and achieving a painterly effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using light pencil lines.

  2. step 02

    Establish the main value areas with thin washes of color, focusing on the light and shadow patterns.

  3. step 03

    Block in the larger areas of color, such as the background, clothing, and skin tones.

  4. step 04

    Begin to refine the details of the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Add details to the clothing and chair, using thicker paint and more visible brushstrokes.

  6. step 06

    Create the background with loose, expressive brushstrokes, blending the colors together to create a sense of depth.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Refine edges and details as needed to complete the painting.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix various shades of gray and brown by combining ivory black, titanium white, raw umber, and burnt sienna. Use yellow ochre and cadmium red light to create warm skin tones. Add small amounts of ultramarine blue to cool down the colors.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·value studies

common pitfalls

  • →Overworking the painting and losing the loose, painterly effect.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to simplify the process of establishing values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy