apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ivan Pavlov
Portrait of Ivan Pavlov by Mikhaïl Nesterov

plate no. 5732

Portrait of Ivan Pavlov

Mikhaïl Nesterov, 1930

oil, canvasRealismportraitportraitfigurebookswindowinteriorclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding light and shadow on complex forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure and objects.

  2. step 02

    Establish the background with loose brushstrokes, focusing on the window and foliage.

  3. step 03

    Block in the main shapes of the figure, including the head, torso, and hands, using simplified color blocks.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, books, and other objects, adding texture and highlights.

  6. step 06

    Refine the light and shadow, creating depth and dimension in the painting.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Varnish the finished painting to protect it and enhance the colors.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cerulean blue · cadmium yellow light · alizarin crimson · viridian

Mix various shades of gray and brown by combining black, white, and umber. Use small amounts of blue and yellow to create subtle variations in the skin tones and background.

techniques

  • ·portraiture
  • ·scumbling
  • ·glazing
  • ·impasto
  • ·color layering

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the details too early in the process.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, burnt sienna, cerulean blue, cadmium yellow light, alizarin crimson, viridian)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium (e.g., Liquin)
  • ·Easel

Use artist-grade oil paints for best results. A medium-tooth canvas will provide a good surface for the brushstrokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy