
plate no. 5888
Philip de Laszlo, 1894
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and subtle variations in value.
technical profile
approach — 8 steps
Create a light sketch outlining the basic proportions and pose of the figure.
Block in the main areas of color: background, suit, skin, and shirt.
Begin refining the skin tones, paying close attention to subtle shifts in value and color.
Develop the details of the face, including the eyes, nose, and mouth.
Work on the suit, adding shadows and highlights to create depth and form.
Refine the hands, paying attention to the details of the fingers and nails.
Add the details of the shirt and tie.
Make final adjustments to the overall composition and refine any remaining details.
color palette
primary · ivory black · titanium white · raw umber · burnt umber
secondary · cadmium red light · yellow ochre
Skin tones are achieved by mixing white, raw umber, burnt umber, and small amounts of red and yellow. The suit is primarily black with subtle variations created by adding small amounts of umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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