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home·artworks·Portrait of Ignác Jetřich Vitanovský of Vlčkovice
Portrait of Ignác Jetřich Vitanovský of Vlčkovice by Karel Škréta

plate no. 3935

Portrait of Ignác Jetřich Vitanovský of Vlčkovice

Karel Škréta, 1669

oilBaroqueportraitportraitfigureclothinghairhistoricalmale
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value changes to create form and depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall proportions and pose of the figure.

  2. step 02

    Block in the main shapes and values of the background, clothing, and face using thin washes of color.

  3. step 03

    Develop the background with subtle gradations of brown and umber, creating a sense of depth.

  4. step 04

    Focus on the face, building up layers of color to define the features and capture the likeness.

  5. step 05

    Work on the clothing, paying attention to the folds and drapery, and the interplay of light and shadow.

  6. step 06

    Add details to the hair, using small brushstrokes to create texture and volume.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and polished finish.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red; use umbers and black to create shadows and depth in the clothing and background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle value changes in the face.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany oil paint
  • ·yellow ochre oil paint

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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