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home·artworks·Portrait of his wife Emma Ciabatti
Portrait of his wife Emma Ciabatti by Vittorio Matteo Corcos

plate no. 8746

Portrait of his wife Emma Ciabatti

Vittorio Matteo Corcos, 1889

oil, canvasRealismportraitportraitfigureclothinghatfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing subtle skin tones. It also provides practice in rendering textures, such as the fur trim and the fabric of the dress.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hat.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hat, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing, including the fur trim and the folds of the fabric.

  6. step 06

    Add highlights and shadows to the hat to create depth and dimension.

  7. step 07

    Refine the background, adding subtle variations in color and texture.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · viridian

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ivory black and burnt umber for dark areas, and viridian mixed with black for the green clothing.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to the subtle variations in value.
  • →Failing to capture the texture of the clothing and hat.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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