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home·artworks·Portrait of gentleman, bust-length, in armour, within a painted oval
Portrait of gentleman, bust-length, in armour, within a painted oval by Salomon Koninck

plate no. 2744

Portrait of gentleman, bust-length, in armour, within a painted oval

Salomon Koninck

oil, panelBaroqueportraitportraitfigurearmorhairclothingoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also offers practice in depicting textures like hair and fabric, and metallic surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, paying attention to proportions.

  2. step 02

    Establish the main light source and shadow areas on the face and clothing.

  3. step 03

    Block in the background with a thin layer of neutral color.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the hair, focusing on the overall shape and direction of the curls before adding details.

  6. step 06

    Render the clothing and armor, paying attention to the folds and highlights.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth, to capture the likeness.

  8. step 08

    Refine the edges and details throughout the painting to achieve a polished finish.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black · ultramarine blue

Mix various shades of brown and red for the skin tones and clothing. Use white to create highlights and black to deepen shadows. Add small amounts of blue to neutralize the skin tones.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Incorrect proportions of the face

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

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