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home·artworks·Portrait of French philosopher Adolphe Franck
Portrait of French philosopher Adolphe Franck by Jules Bastien-Lepage

plate no. 7654

Portrait of French philosopher Adolphe Franck

Jules Bastien-Lepage, 1878

oil, canvasRealismportraitportraitfiguremanclothingglassesface
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Mix and apply the various skin tones, focusing on subtle color variations and highlights.

  5. step 05

    Develop the details of the clothing, including the collar, bow tie, and jacket.

  6. step 06

    Add the glasses, being careful to accurately depict their shape and reflections.

  7. step 07

    Refine the hair, using short, broken brushstrokes to create texture.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black to create the dark tones of the clothing and background. Add small amounts of burnt sienna to warm up shadows.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the proportions of the face.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·burnt sienna oil paint
  • ·round brushes sizes 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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