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home·artworks·Portrait of Frederick Brewer, Bust-length, in a Sailor's Uniform
Portrait of Frederick Brewer, Bust-length, in a Sailor's Uniform by Henry Scott Tuke

plate no. 5436

Portrait of Frederick Brewer, Bust-length, in a Sailor's Uniform

Henry Scott Tuke, 1910

oilRealismportraitportraitfiguresailor uniformmaleclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including mixing realistic skin tones and capturing subtle variations in light and shadow. It also offers practice in rendering fabric and textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders using a light pencil.

  2. step 02

    Establish the background with a dark, muted color, blending it smoothly.

  3. step 03

    Block in the main areas of skin tone, using a mix of warm and cool colors.

  4. step 04

    Refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Add highlights and shadows to create depth and dimension in the face.

  6. step 06

    Paint the sailor uniform, focusing on the folds and creases in the fabric.

  7. step 07

    Add details to the hair, using small, broken brushstrokes to create texture.

  8. step 08

    Make final adjustments to the values and colors to achieve a realistic and harmonious effect.

color palette

primary · titanium white · burnt umber · cadmium red light · ultramarine blue

secondary · yellow ochre · ivory black

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber and blue. Use ultramarine blue and white for the blue in the uniform, adding black for darker shades. Mix white with a touch of black for the white parts of the uniform.

techniques

  • ·portrait painting
  • ·color mixing
  • ·blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Not paying enough attention to the subtle variations in skin tone.
  • →Using too much detail too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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