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home·artworks·Portrait of Fra Bonaventura Bisi, Called 'Il Pittorino'
Portrait of Fra Bonaventura Bisi, Called 'Il Pittorino' by Guercino

plate no. 0600

Portrait of Fra Bonaventura Bisi, Called 'Il Pittorino'

Guercino, 1658

oilBaroqueportraitfigureportraitbooksmonkdrawingrobes
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form and depth. Students will also learn to render different textures, such as skin, fabric, and paper.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, paying attention to the subtle gradations of light and shadow.

  4. step 04

    Focus on the face, building up layers of color to create realistic skin tones and features.

  5. step 05

    Render the clothing and other objects, paying attention to the folds and textures.

  6. step 06

    Add details, such as the books, drawings, and facial features.

  7. step 07

    Refine the values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the dark background by mixing umber and black. Use ultramarine blue and white for the paper.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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