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home·artworks·Portrait of Fra Antionio Martelli
Portrait of Fra Antionio Martelli by Caravaggio

plate no. 9935

Portrait of Fra Antionio Martelli

Caravaggio, 1608

oil, canvasBaroqueportraitportraitfiguremanclothingcrossdark background
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model form using subtle gradations of light and shadow. It also provides practice in rendering textures and details with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the cross.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions.

  4. step 04

    Begin layering in the highlights and shadows on the face, using thin glazes.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures.

  6. step 06

    Paint the white cross, carefully observing the light and shadow to create a sense of volume.

  7. step 07

    Add the details of the hands and any other accessories.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · raw sienna

Achieve the skin tones by mixing white, raw umber, and a touch of yellow ochre. Use thin glazes of burnt umber and raw umber to create shadows and depth. The white cross is achieved by mixing white with a tiny amount of yellow ochre or raw sienna for subtle warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Making the shadows too dark and losing the form.
  • →Not paying attention to the subtle gradations of light and shadow.
  • →Using too much paint and losing the transparency of the glazes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the dark background.

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related guides

oil painting for beginners →chiaroscuro →paint like caravaggio →how to learn by studying the masters →
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