
plate no. 9935
Caravaggio, 1608
Recreating this painting will help students understand chiaroscuro and how to model form using subtle gradations of light and shadow. It also provides practice in rendering textures and details with a limited color palette.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the cross.
Establish the dark background using a thin wash of dark brown or black.
Block in the main shapes of the figure, paying attention to proportions.
Begin layering in the highlights and shadows on the face, using thin glazes.
Develop the details of the clothing, focusing on the folds and textures.
Paint the white cross, carefully observing the light and shadow to create a sense of volume.
Add the details of the hands and any other accessories.
Refine the overall painting, adjusting values and adding final touches.
color palette
primary · ivory black · raw umber · burnt umber · titanium white
secondary · yellow ochre · raw sienna
Achieve the skin tones by mixing white, raw umber, and a touch of yellow ochre. Use thin glazes of burnt umber and raw umber to create shadows and depth. The white cross is achieved by mixing white with a tiny amount of yellow ochre or raw sienna for subtle warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the dark background.
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