
plate no. 3986
Pavel Filonov, 1915
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex patterns and textures in fabric and furniture.
technical profile
approach — 8 steps
Begin with a light sketch to establish the overall composition and proportions of the figure and chair.
Block in the main shapes and values using thin washes of color, focusing on the dark background and the general tones of the figure and chair.
Develop the skin tones by layering subtle variations of color, paying attention to highlights and shadows to create form.
Work on the details of the clothing, including the folds and textures of the dress and the ruffles of the blouse.
Render the patterns on the chair fabric, breaking down the complex design into manageable shapes and colors.
Add the floral details in the background, focusing on the shapes and colors of the flowers and leaves.
Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.
Add final highlights and shadows to create depth and dimension throughout the painting.
color palette
primary · ivory black · titanium white · raw umber · burnt sienna
secondary · alizarin crimson · yellow ochre · viridian
Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of alizarin crimson. Use ivory black and raw umber for the dark background, and mix viridian with yellow ochre for the chair fabric.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.
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