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home·artworks·Portrait of Euzébio Stevaux
Portrait of Euzébio Stevaux by Jose Ferraz de Almeida Junior

plate no. 4976

Portrait of Euzébio Stevaux

Jose Ferraz de Almeida Junior, 1894

oilRealismportraitportraitfiguremanbeardclothingoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the main areas of light and shadow on the face and clothing using a thin wash of burnt umber and raw sienna.

  3. step 03

    Begin building up the skin tones with layers of color, paying close attention to the subtle variations in value and hue.

  4. step 04

    Work on the beard, using small, broken strokes to create texture and volume.

  5. step 05

    Define the details of the eyes, nose, and mouth, using darker values to create depth and form.

  6. step 06

    Paint the clothing, using a limited palette of black and gray to create a sense of formality.

  7. step 07

    Refine the background, blending the colors to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Mix skin tones using titanium white, burnt umber, raw sienna, and small amounts of cadmium red light and yellow ochre. Create darker values by adding ivory black to the mixture.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·value control

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and hue.
  • →Creating harsh lines or edges.
  • →Not paying attention to the proportions of the face and body.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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