apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ernst Mendelssohn Bartholdy
Portrait of Ernst Mendelssohn Bartholdy by Ludwig Passini

plate no. 1998

Portrait of Ernst Mendelssohn Bartholdy

Ludwig Passini, 1894

watercolor, woodRealismportraitportraitfiguredeskchairinteriorclothing
experienced study

This painting provides an opportunity to practice rendering realistic textures and details, as well as capturing accurate proportions and likeness in portraiture. Students will also develop skills in creating depth and atmosphere through subtle value and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch outlining the main shapes and proportions of the figure and the surrounding objects.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes.

  3. step 03

    Begin layering colors, starting with the background and working towards the foreground.

  4. step 04

    Focus on rendering the skin tones and facial features, paying close attention to subtle shifts in value and color.

  5. step 05

    Develop the details of the clothing, furniture, and other objects, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details, such as the writing on the desk and the patterns on the chair.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to ensure a harmonious and balanced image.

color palette

primary · ivory black · raw umber · burnt sienna · cadmium red

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing cadmium red, yellow ochre, and ivory black, adjusting the proportions to create warm and cool variations. Use ultramarine blue and burnt sienna to create neutral grays for the clothing and furniture.

techniques

  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle shifts in value and color that create depth and dimension.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure vibrant colors. Experiment with different brush sizes and techniques to achieve a variety of textures and effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy