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home·artworks·Portrait of Emmanuel Lansler
Portrait of Emmanuel Lansler by Carolus-Duran

plate no. 9008

Portrait of Emmanuel Lansler

Carolus-Duran, 1889

oilRealismportraitportraitfiguremanbeardclothingface
some experience helpful

This painting is good for learning portrait proportions, value relationships, and how to suggest form with loose brushstrokes. It also provides practice in mixing skin tones and rendering fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the darkest and lightest areas to create a value structure.

  4. step 04

    Begin building up the skin tones, layering colors and blending edges.

  5. step 05

    Work on the details of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Render the beard and hair with loose, expressive brushstrokes.

  7. step 07

    Paint the clothing, focusing on the folds and shadows.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Mix skin tones by blending burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red light to add warmth to the cheeks and lips. Create darker values by adding ivory black to the mixture.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·value study
  • ·portrait sketching

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the proportions wrong and creating an unrealistic likeness.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the value structure and creating a flat, lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red light, yellow ochre)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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