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home·artworks·Portrait of Emilie Flöge
Portrait of Emilie Flöge by Gustav Klimt

plate no. 6238

Portrait of Emilie Flöge

Gustav Klimt, 1893

oil, cardboardSymbolismportraitfigureportraitdressfoliageflowersgarden
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and creating depth through layering and subtle color variations. It also provides practice in capturing the likeness of a subject and creating a sense of atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 16 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, dress, and background elements.

  2. step 02

    Establish the main shapes and proportions of the figure and dress.

  3. step 03

    Block in the basic colors of the background, figure, and dress, focusing on the overall value structure.

  4. step 04

    Start building up layers of color on the face, paying attention to subtle shifts in tone and value.

  5. step 05

    Develop the details of the dress, using small brushstrokes to create the texture of the fabric.

  6. step 06

    Add details to the background foliage and flowers, using a variety of greens and pinks.

  7. step 07

    Refine the details of the face, dress, and background, paying attention to the overall harmony of the painting.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · olive green · burnt sienna · titanium white

secondary · cadmium red · sap green · raw umber

Mix greens by blending blues and yellows, and adjust the tone with browns. Achieve the dress colors by mixing reds, greens, and browns to create muted, earthy tones.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall harmony of the painting by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (olive green, burnt sienna, titanium white, cadmium red, sap green, raw umber)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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