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home·artworks·Portrait of Edward Hicks of Lymington, Hampshire, seated at a drum table in his library
Portrait of Edward Hicks of Lymington, Hampshire, seated at a drum table in his library by George Elgar Hicks

plate no. 1618

Portrait of Edward Hicks of Lymington, Hampshire, seated at a drum table in his library

George Elgar Hicks, 1854

watercolor, whiteRealismportraitportraitfigurelibraryfurniturebookstable
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as creating depth and detail in an interior setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure and furniture.

  2. step 02

    Block in the main shapes and colors of the background, including the bookcase and wall.

  3. step 03

    Start building up the values and details of the figure, beginning with the face and hands.

  4. step 04

    Add details to the clothing, focusing on the folds and highlights.

  5. step 05

    Paint the table and other objects in the foreground, paying attention to their textures and reflections.

  6. step 06

    Refine the details of the background, including the books and other objects on the shelves.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Adjust colors and values as needed to achieve a cohesive and realistic painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · cerulean blue

Mix various shades of brown and gray by combining raw umber, burnt sienna, and ivory black with white. Use small amounts of cadmium red and yellow ochre to warm up the skin tones and add subtle color variations.

techniques

  • ·portraiture
  • ·glazing
  • ·color mixing
  • ·rendering textures
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and dimension.
  • →Inaccurate skin tone mixing.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (various sizes)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Ruler

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Color charts

Use high-quality watercolor paints and paper for best results. Experiment with different brush sizes and techniques to achieve the desired effects.

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watercolor techniques →how to learn by studying the masters →
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