apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of E. P. Protasyeva
Portrait of E. P. Protasyeva by Vasily Tropinin

plate no. 9000

Portrait of E. P. Protasyeva

Vasily Tropinin

oil, canvasRealismportraitportraitfiguredresslacecurtainlandscape
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, vase, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes of paint.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle shifts in color and value.

  4. step 04

    Develop the dress, focusing on capturing the folds and highlights to create a sense of volume and texture.

  5. step 05

    Paint the lace details, using a fine brush and light, delicate strokes.

  6. step 06

    Work on the background elements, including the curtain and landscape, using a looser brushstroke.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ivory black · burnt umber · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining ivory black, burnt umber, and titanium white. Use small amounts of cadmium red and yellow ochre to warm up the skin tones and add subtle color variations.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle value gradations that create depth and realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy