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home·artworks·Portrait of Dr Erasmus Darwin (1731-1802) scientist, inventor and poet, grandfather of Charles Darwin
Portrait of Dr Erasmus Darwin (1731-1802) scientist, inventor and poet, grandfather of Charles Darwin by Joseph Wright

plate no. 7802

Portrait of Dr Erasmus Darwin (1731-1802) scientist, inventor and poet, grandfather of Charles Darwin

Joseph Wright, 1770

oil, canvasBaroqueportraitportraitfiguremanclothinghandstable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the figure.

  3. step 03

    Begin refining the skin tones, mixing a range of values from light to dark and blending them smoothly.

  4. step 04

    Work on the clothing, paying attention to the folds and wrinkles in the fabric and the way the light interacts with the material.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, and refine the hair.

  6. step 06

    Paint the hands, paying attention to the subtle variations in color and value.

  7. step 07

    Add the details of the table and any other objects in the composition.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The clothing is primarily a mix of umber and black, lightened with white for highlights.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to subtle value changes.
  • →Getting lost in details before establishing the overall form.
  • →Ignoring the importance of reflected light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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