
plate no. 5818
Thomas Eakins, 1907
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form through subtle value changes. It also provides practice in achieving realistic skin tones and depicting fabric textures.
technical profile
approach — 8 steps
Create a light sketch of the composition, focusing on proportions and placement of features.
Establish the background with a thin wash of burnt umber and raw sienna.
Block in the main shapes of the face, hair, and clothing with mid-tone values.
Begin refining the facial features, paying close attention to the light and shadow patterns.
Develop the details of the hair and beard, using small brushstrokes to create texture.
Work on the clothing, capturing the folds and highlights.
Adjust the values and colors throughout the painting to create a sense of depth and realism.
Add final highlights and details to complete the portrait.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · ultramarine blue · yellow ochre · cadmium red light
Mix skin tones using burnt umber, raw sienna, titanium white, and small amounts of cadmium red light and yellow ochre. Use ultramarine blue and ivory black to create the dark tones in the clothing and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein