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home·artworks·Portrait of Dr. Albert C Getchell
Portrait of Dr. Albert C Getchell by Thomas Eakins

plate no. 5818

Portrait of Dr. Albert C Getchell

Thomas Eakins, 1907

oilRealismportraitportraitfiguremanclothingbeardface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form through subtle value changes. It also provides practice in achieving realistic skin tones and depicting fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on proportions and placement of features.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with mid-tone values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the details of the hair and beard, using small brushstrokes to create texture.

  6. step 06

    Work on the clothing, capturing the folds and highlights.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix skin tones using burnt umber, raw sienna, titanium white, and small amounts of cadmium red light and yellow ochre. Use ultramarine blue and ivory black to create the dark tones in the clothing and background.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle value changes in the face.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·variety of brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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