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home·artworks·Portrait of Douglass Morgan Hall
Portrait of Douglass Morgan Hall by Thomas Eakins

plate no. 8315

Portrait of Douglass Morgan Hall

Thomas Eakins, 1889

oil, canvasRealismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and fabric. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and shirt.

  2. step 02

    Establish the background color with a thin wash of dark brown.

  3. step 03

    Block in the main areas of light and shadow on the face and shirt using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value that create form.

  5. step 05

    Develop the details of the shirt, including the collar, buttons, and folds of fabric.

  6. step 06

    Add highlights to the face and shirt to create a sense of depth and dimension.

  7. step 07

    Soften edges and blend colors to create a smooth, realistic finish.

  8. step 08

    Add final details, such as the hair and mustache, to complete the portrait.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue

Skin tones are achieved by mixing white with small amounts of yellow ochre, burnt umber, and alizarin crimson. Vary the proportions to create different shades and hues. The background is primarily burnt umber with subtle variations.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of facial features
  • →Over-blending, resulting in a flat appearance
  • →Inaccurate skin tone mixing
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, raw umber, titanium white, yellow ochre, alizarin crimson, ultramarine blue)
  • ·assorted round and flat brushes
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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