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home·artworks·Portrait of Don Luis de Gongora y Argote
Portrait of Don Luis de Gongora y Argote by Diego Velázquez

plate no. 7314

Portrait of Don Luis de Gongora y Argote

Diego Velázquez, 1622

oil, canvasBaroqueportraitportraitfiguremanclothingcollarface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form. It also provides practice in creating a dark, atmospheric background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on subtle value changes to define the form.

  4. step 04

    Refine the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the dark clothing and background, using layers of thin paint to create depth.

  6. step 06

    Add highlights to the collar and face to create contrast and visual interest.

  7. step 07

    Refine the edges and details throughout the painting.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt sienna. The dark clothing and background are created with mixtures of ivory black, raw umber, and a hint of ultramarine blue.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle value changes.
  • →Making the dark clothing and background too flat and lifeless.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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