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home·artworks·Portrait of Diego Martelli
Portrait of Diego Martelli by Giovanni Boldini

plate no. 8373

Portrait of Diego Martelli

Giovanni Boldini, 1865

oil, canvasRealismportraitportraitfigureinteriorhatstovewindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding the use of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the scene.

  2. step 02

    Establish the background with broad, muted tones, paying attention to the light source and its effect on the walls and floor.

  3. step 03

    Block in the main shapes of the figure, using darker values for the clothing and lighter values for the skin.

  4. step 04

    Begin refining the facial features, focusing on capturing the likeness of the subject.

  5. step 05

    Develop the details of the clothing and accessories, such as the hat and shoes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and background.

  7. step 07

    Refine the brushwork, using short, broken strokes to create texture and visual interest.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, ivory black, yellow ochre, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations and add depth to shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·broken brushstrokes
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of light and shadow in creating form.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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