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home·artworks·Portrait of Daniel J. Nolan
Portrait of Daniel J. Nolan by John Singer Sargent

plate no. 6978

Portrait of Daniel J. Nolan

John Singer Sargent, 1917

oil, canvasRealismportraitportraitmanfigureclothingheadface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in alla prima painting and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and placement of the figure on the canvas.

  2. step 02

    Block in the large shapes of the background, skin tones, and clothing with thin washes of color.

  3. step 03

    Establish the darkest values in the hair, tie, and background.

  4. step 04

    Begin building up the mid-tones and highlights in the face, paying attention to the planes of the face.

  5. step 05

    Refine the details of the eyes, nose, and mouth, focusing on capturing the likeness.

  6. step 06

    Add details to the clothing, using loose brushstrokes to suggest texture and form.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing raw sienna, burnt umber, and titanium white. Use ultramarine blue and burnt umber to create neutral grays for the clothing and tie. Add yellow ochre to white for highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·value study
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated.
  • →Not blending enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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