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home·artworks·Portrait of Corinna Salmon
Portrait of Corinna Salmon by Vittorio Matteo Corcos

plate no. 5797

Portrait of Corinna Salmon

Vittorio Matteo Corcos, 1893

oil, canvasRealismportraitfigureportraitdressinteriorpillowwall
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, fabric textures, and complex drapery. It also provides practice in capturing subtle lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Block in the background colors, focusing on the variations in the wallpaper.

  3. step 03

    Establish the basic skin tones and shadows on the figure's face and hands.

  4. step 04

    Begin layering the colors of the dress, paying attention to the highlights and shadows that create the illusion of silk.

  5. step 05

    Add the details of the dress, such as the stars and the fur trim.

  6. step 06

    Paint the pillows and other surrounding objects, matching their colors and textures to the original.

  7. step 07

    Refine the details of the face, including the eyes, lips, and hair.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth of the painting.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · viridian · alizarin crimson · gold

Mix various shades of white with small amounts of black, yellow ochre, and raw umber to create the subtle variations in the dress. Use viridian and white to achieve the teal color of the pillow and background accents. Mix alizarin crimson and white for the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the subtle variations in light and shadow on the dress.
  • →Getting the proportions of the figure wrong.
  • →Neglecting the details of the background, which contribute to the overall atmosphere of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·viridian oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help with blending and creating subtle gradations of color.

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oil painting for beginners →how to learn by studying the masters →
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