
plate no. 9076
Recreating this portrait will help students develop skills in portrait proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in achieving smooth gradients and subtle value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and ruff.
Establish the background color with a thin wash of burnt umber and raw sienna.
Block in the main areas of the face, hair, and clothing with corresponding mid-tones.
Begin layering skin tones, focusing on highlights and shadows to define the form.
Add details to the eyes, nose, and mouth, paying attention to subtle variations in color and value.
Render the ruff with careful attention to the folds and highlights.
Refine the details of the clothing, including the green sash and medal.
Add final highlights and shadows to create a sense of depth and realism.
color palette
primary · titanium white · raw sienna · burnt umber · ivory black
secondary · cadmium red light · viridian
Skin tones are achieved by mixing raw sienna, burnt umber, titanium white, and a touch of cadmium red light. Darker tones are created with ivory black and burnt umber. The green sash is a mix of viridian and ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for easier blending. Consider using a medium to improve the flow of the paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne