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home·artworks·Portrait of Charles VI, Holy Roman Emperor (1685-1740)
Portrait of Charles VI, Holy Roman Emperor (1685-1740) by Francesco Solimena

plate no. 7052

Portrait of Charles VI, Holy Roman Emperor (1685-1740)

Francesco Solimena, 1707

oil, canvasBaroqueportraitfigureportraitclothinglioncrowncolumn
experienced study

Recreating this painting will help students develop skills in rendering complex textures like fabric and fur, and in creating realistic skin tones and facial features. It also provides practice in depicting ornate details and creating a sense of depth through layering and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure, lion, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Develop the background, starting with the gold drapery and then moving to the architectural details.

  4. step 04

    Focus on the figure, building up the layers of color in the face, hair, and clothing.

  5. step 05

    Pay close attention to the folds and highlights in the fabric to create a sense of volume and texture.

  6. step 06

    Add the details of the lion, carefully rendering the fur and facial features.

  7. step 07

    Refine the details of the crown, table, and other accessories.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · crimson · gold ochre · ivory black

secondary · viridian green · raw umber · titanium white

Mix various shades of crimson with black and umber to create the deep reds of the coat. Use gold ochre and white for the drapery, and viridian green mixed with black for the leggings. Skin tones are achieved by mixing white, crimson, and ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·portraiture

common pitfalls

  • →getting the proportions wrong
  • →overworking the details
  • →failing to create a sense of depth
  • →inaccurate skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·oil paints (crimson, gold ochre, ivory black, viridian green, raw umber, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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