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home·artworks·Portrait of Charles Gruet
Portrait of Charles Gruet by Carolus-Duran

plate no. 9078

Portrait of Charles Gruet

Carolus-Duran, 1914

oilRealismportraitportraitmanfigureclothingfacial hair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating depth through subtle value changes. It also provides practice in achieving a painterly effect with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the details of the clothing, using thicker paint and more visible brushstrokes to create texture.

  5. step 05

    Work on the background, blending the colors to create a soft, atmospheric effect.

  6. step 06

    Add highlights to the face and clothing to create a sense of depth and dimension.

  7. step 07

    Refine the edges of the forms to create a sense of realism.

  8. step 08

    Add final details, such as the signature and date.

color palette

primary · raw umber · burnt umber · titanium white

secondary · ivory black · yellow ochre · cadmium red light

Achieve the skin tones by mixing titanium white with small amounts of raw umber, burnt umber, and yellow ochre. Use ivory black to darken the shadows and cadmium red light to add warmth to the cheeks and lips.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·value studies
  • ·portrait sketching

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Failing to capture the likeness of the subject.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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