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home·artworks·Portrait of Carlos I of Portugal
Portrait of Carlos I of Portugal by Jose Malhoa

plate no. 4897

Portrait of Carlos I of Portugal

Jose Malhoa, 1891

oilRealismportraitportraitfigureclothingcrownchairroyal
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures in clothing and drapery. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the uniform, including the medals, sash, and buttons.

  5. step 05

    Work on the drapery and throne, focusing on the folds and textures.

  6. step 06

    Add highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Refine the background, ensuring it complements the figure without overpowering it.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · titanium white · gold

Mix various shades of brown and gray by combining burnt umber, ivory black, and white. Achieve the red of the sash by mixing cadmium red with a touch of burnt umber for depth. Create gold tones by mixing yellow ochre with a touch of burnt umber and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting lost in the details of the uniform and neglecting the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value range.

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oil painting for beginners →how to learn by studying the masters →
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