apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Cardinal de Richelieu
Portrait of Cardinal de Richelieu by Philippe de Champaigne

plate no. 2601

Portrait of Cardinal de Richelieu

Philippe de Champaigne

oil, canvasBaroqueportraitportraitfigurecardinalrobecurtainarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering complex drapery with light and shadow. They will also learn to create a sense of depth and atmosphere through careful color mixing and layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad, dark tones, gradually building up highlights on the curtain.

  3. step 03

    Block in the main shapes of the robe with a mid-tone red, paying attention to the folds and creases.

  4. step 04

    Develop the light and shadow on the robe, using a range of reds, browns, and whites to create a sense of volume.

  5. step 05

    Paint the face, starting with a thin underpainting and gradually building up layers of detail.

  6. step 06

    Add details to the hands, book, and architectural elements, paying attention to accuracy and proportion.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and harmonious image.

  8. step 08

    Add final highlights and details to the face, robe, and other key areas.

color palette

primary · cadmium red · ivory black · titanium white

secondary · yellow ochre · ultramarine blue · burnt umber

Achieve the robe's color by mixing cadmium red with varying amounts of ivory black and titanium white for shadows and highlights. Use yellow ochre and burnt umber to create the warm undertones in the skin.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the folds of the robe.
  • →Failing to capture the likeness of the subject.
  • →Creating a flat, lifeless image by not paying attention to light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne