
plate no. 5750
Diego Velázquez, 1650
This painting provides practice in portraiture, focusing on capturing likeness and rendering fabric folds. Students will develop skills in color mixing to achieve realistic skin tones and subtle variations in the red robe.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the head and shoulders.
Establish the background color with a thin wash of neutral tones.
Block in the main areas of color: the face, hair, robe, and collar.
Begin to refine the facial features, focusing on accurate placement and value relationships.
Develop the folds and shadows in the red robe, using a range of red hues and subtle value changes.
Add highlights to the face, collar, and robe to create a sense of depth and form.
Refine the details of the hair and facial hair.
Make final adjustments to the overall composition and color harmony.
color palette
primary · cadmium red · ivory black · titanium white · yellow ochre
secondary · burnt umber · raw sienna
Mix various shades of red by combining cadmium red with small amounts of ivory black or burnt umber. Achieve skin tones by blending yellow ochre, titanium white, and a touch of red. Use ivory black and burnt umber for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.
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