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home·artworks·Portrait of Cardinal Bernardino Spada
Portrait of Cardinal Bernardino Spada by Guido Reni

plate no. 7256

Portrait of Cardinal Bernardino Spada

Guido Reni, 1631

oil, canvasBaroqueportraitportraitfigurecardinalchaircurtainbooks
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in depicting complex lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure, chair, and background elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the cardinal's robes, the curtain, and the furniture.

  3. step 03

    Gradually build up the values and details, starting with the darkest areas and working towards the highlights.

  4. step 04

    Pay close attention to the subtle variations in color and tone within the fabrics to create a sense of realism.

  5. step 05

    Refine the details of the face, hands, and other key features, using small brushes and precise strokes.

  6. step 06

    Add the details of the lace and the book.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of drama.

color palette

primary · cadmium red · titanium white · raw umber

secondary · ivory black · yellow ochre · ultramarine blue

Mix reds with white for the robes, and use umber and black for the background. Subtle variations are achieved by adding small amounts of yellow ochre or blue to the base colors.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the colors and values.
  • →Failing to capture the subtle details of the fabrics.
  • →Rushing the process and not allowing enough time for each layer to dry.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (cadmium red, titanium white, raw umber, ivory black, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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