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home·artworks·Portrait of Bernard Ignat Von Martinice (detail)
Portrait of Bernard Ignat Von Martinice (detail) by Karel Škréta

plate no. 9131

Portrait of Bernard Ignat Von Martinice (detail)

Karel Škréta, 1670

oilBaroqueportraitportraitfiguremanhairclothingface
some experience helpful

Recreating this portrait will help students develop skills in color mixing for skin tones and understanding subtle value changes to create form. It also provides practice in capturing likeness and proportions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the face and clothing.

  3. step 03

    Begin layering in the mid-tones of the skin, paying attention to the subtle color variations.

  4. step 04

    Refine the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  5. step 05

    Add highlights to the face, hair, and collar to create depth and dimension.

  6. step 06

    Develop the details of the hair and beard, using small brushstrokes to create texture.

  7. step 07

    Refine the edges and transitions between values to create a smooth and realistic effect.

  8. step 08

    Add final details and adjustments to complete the portrait.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black · ultramarine blue

Mix skin tones by blending white, red, and umber, adding small amounts of yellow ochre for warmth and blue for shadows. Use raw umber and ivory black for the background, adjusting the ratio for value changes.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Oversimplifying the skin tones and creating a flat, lifeless effect.
  • →Getting the proportions of the facial features wrong.
  • →Making the highlights too bright or the shadows too dark.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grit canvas for best results. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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