apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Artist Ivan Pokhitonov
Portrait of Artist Ivan Pokhitonov by Nikolai Kuznetsov

plate no. 2661

Portrait of Artist Ivan Pokhitonov

Nikolai Kuznetsov, 1882

oilRealismportraitportraitfiguremanbeardclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in using loose brushwork to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes.

  3. step 03

    Begin building up the skin tones, focusing on the subtle variations in color and value.

  4. step 04

    Add details to the eyes, nose, and mouth, paying attention to the highlights and shadows.

  5. step 05

    Paint the hair and beard, using loose brushstrokes to create texture and volume.

  6. step 06

    Define the clothing and background, using similar techniques to create depth and interest.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by blending white, raw umber, burnt sienna, and a touch of yellow ochre and red. Use ivory black and raw umber for the dark clothing and hair.

techniques

  • ·alla prima
  • ·dry brush
  • ·scumbling
  • ·value studies
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull skin tones.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium

Use a medium-sized canvas to allow for detail without feeling overwhelmed. Consider using a toned canvas to help establish the initial value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy