apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Armand-Jean du Plessis, Cardinal Richelieu
Portrait of Armand-Jean du Plessis, Cardinal Richelieu by Philippe de Champaigne

plate no. 7427

Portrait of Armand-Jean du Plessis, Cardinal Richelieu

Philippe de Champaigne

oil, canvasBaroqueportraitportraitfigurecardinalrobedraperyarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic fabric folds and textures. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin to refine the details of the face, paying close attention to the light and shadow.

  4. step 04

    Develop the folds and textures of the robe, using a variety of brushstrokes and color variations.

  5. step 05

    Paint the background, creating a sense of depth and atmosphere.

  6. step 06

    Add the architectural details and landscape elements.

  7. step 07

    Refine the highlights and shadows throughout the painting.

  8. step 08

    Add final details and adjustments to complete the work.

color palette

primary · red ochre · titanium white · ivory black

secondary · ultramarine blue · yellow ochre · burnt umber

Achieve the rich red of the robe by mixing red ochre with a touch of burnt umber and titanium white for highlights. Create the subtle variations in the drapery by adding small amounts of other colors, such as yellow ochre or ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the likeness of the subject.
  • →Overworking the details and losing the overall sense of form.
  • →Creating flat, lifeless colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (red ochre, titanium white, ivory black, ultramarine blue, yellow ochre, burnt umber)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne