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home·artworks·Portrait of Anna Maria Borghese, born de Ferrari (1874-1924)
Portrait of Anna Maria Borghese, born de Ferrari (1874-1924) by Vittorio Matteo Corcos

plate no. 8450

Portrait of Anna Maria Borghese, born de Ferrari (1874-1924)

Vittorio Matteo Corcos, 1889

oilRealismportraitportraitgirldressgardenbalustradefoliage
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice depicting complex fabric textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the main value structure using a limited palette of earth tones.

  3. step 03

    Block in the large shapes of the figure, paying attention to the folds and drapery of the dress.

  4. step 04

    Begin layering in local color, starting with the skin tones and then moving to the dress and background.

  5. step 05

    Refine the details of the face, focusing on capturing the likeness and expression.

  6. step 06

    Add highlights and shadows to create depth and dimension in the dress and background.

  7. step 07

    Paint the lace details, using thin glazes of white and gray.

  8. step 08

    Add final touches and adjustments to the overall composition.

color palette

primary · titanium white · alizarin crimson · yellow ochre · raw umber

secondary · viridian · ultramarine blue · cadmium yellow light

Mix various shades of pink for the dress by blending alizarin crimson and titanium white, adjusting the ratio for lighter and darker tones. Achieve natural skin tones by combining yellow ochre, alizarin crimson, and a touch of raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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