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home·artworks·Portrait of an Unknown
Portrait of an Unknown by Alexei Korzukhin

plate no. 0585

Portrait of an Unknown

Alexei Korzukhin, 1866

oilRealismportraitportraitmale figurebeardclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering realistic textures like hair and fabric. It also provides practice in creating depth and form through careful value gradations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the position of the head and shoulders.

  2. step 02

    Lightly sketch the main features of the face (eyes, nose, mouth) and the outline of the beard and hair.

  3. step 03

    Block in the large areas of color: the background, the face, the hair, and the clothing.

  4. step 04

    Begin to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the beard and hair, using short, broken brushstrokes.

  6. step 06

    Refine the clothing, adding folds and shadows.

  7. step 07

    Add the details of the eyes and mouth to bring the portrait to life.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix skin tones by blending white, sienna, umber, and a touch of crimson. Use ultramarine blue and burnt umber to create deep blacks for the clothing. Add yellow ochre to sienna and white for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Incorrect proportions of facial features
  • →Muddy skin tones due to over-mixing
  • →Flat, lifeless appearance due to lack of value contrast
  • →Overworking details too early in the process

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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