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home·artworks·Portrait of an old woman reading
Portrait of an old woman reading by Gerrit Dou

plate no. 0124

Portrait of an old woman reading

Gerrit Dou, 1635

oilBaroqueportraitportraitfigurebookelderly womanclothinghead covering
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing the nuances of aging skin and creating a sense of depth through subtle value changes. It also provides practice in rendering textures like fabric and paper.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and the book.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main shapes of the figure, paying attention to the light and shadow patterns.

  4. step 04

    Begin to refine the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Add details to the clothing and head covering, capturing the texture and folds of the fabric.

  6. step 06

    Paint the book, paying attention to the perspective and the details of the pages.

  7. step 07

    Refine the overall painting, adjusting values and adding highlights to create depth and realism.

  8. step 08

    Add final details and glazes to enhance the overall effect.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black to create the dark tones in the background and clothing. Mix white with a touch of yellow ochre to create the light tones in the book.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Failing to capture the subtle value changes in the skin.
  • →Making the background too bright or distracting.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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