apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of an old woman
Portrait of an old woman by Vasily Perov

plate no. 2348

Portrait of an old woman

Vasily Perov

oilRealismportraitportraitold womanfigureclothinghandshead covering
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing the likeness and expression of an older person, and in creating subtle gradations of skin tone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the background with a thin layer of dark brown, establishing the overall value.

  3. step 03

    Begin layering the skin tones, starting with the darker areas and gradually adding highlights.

  4. step 04

    Pay close attention to the subtle variations in color and value on the face to create a realistic effect.

  5. step 05

    Paint the clothing and head covering, using darker tones and simplified brushstrokes.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights to the hands and clothing to create a sense of depth.

  8. step 08

    Make final adjustments to the overall composition and value contrast.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ivory black · cadmium red light

Mix various shades of skin tone by combining yellow ochre, burnt sienna, and titanium white. Use raw umber and ivory black to create the darker tones in the background and clothing. Add a touch of cadmium red light to warm up the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies

common pitfalls

  • →Overmixing the colors, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of accurate proportions.
  • →Overworking the details, resulting in a stiff and unnatural look.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, yellow ochre, titanium white, burnt sienna, ivory black, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint and create a smoother finish.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy