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home·artworks·Portrait of an Old Man
Portrait of an Old Man by Jacob Jordaens

plate no. 3432

Portrait of an Old Man

Jacob Jordaens, 1637

oil, canvasBaroqueportraitportraitmanchaircolumncurtainarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures like fabric and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and background elements.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the overall light and shadow patterns.

  3. step 03

    Develop the skin tones by layering and blending different shades of warm and cool colors.

  4. step 04

    Define the details of the face, including the eyes, nose, and mouth, paying attention to subtle variations in value and texture.

  5. step 05

    Render the clothing and chair, using thicker paint and more visible brushstrokes to create texture and depth.

  6. step 06

    Paint the background elements, including the columns, curtain, and statue, using a limited palette and soft blending techniques.

  7. step 07

    Add highlights and shadows to create a sense of form and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and add highlights. Mix small amounts of red and blue to create subtle variations in skin tone.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overblending skin tones resulting in a flat appearance.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in details before establishing the overall form.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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