apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of an old man
Portrait of an old man by Ivan Tvorozhnikov

plate no. 8115

Portrait of an old man

Ivan Tvorozhnikov

oil, canvasRealismportraitportraitold manbeardbagelsfigurecityscape
experienced study

Recreating this painting will help students develop skills in portraiture, capturing textures with visible brushstrokes, and creating a sense of depth through subtle value changes. It also provides practice in rendering details like the face and beard with accuracy.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color areas for the skin, clothing, and background.

  4. step 04

    Begin building up the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Add texture to the beard and clothing using visible brushstrokes.

  6. step 06

    Refine the details of the bagels and other objects.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use yellow ochre to warm up the skin tones and add highlights. A touch of cadmium red light can be used for subtle color variations in the face and clothing.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the correct proportions of the face.
  • →Using too much color and creating a painting that is too bright.
  • →Ignoring the subtle value changes that create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy