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home·artworks·Portrait of an Old Jew
Portrait of an Old Jew by Antoine Pesne

plate no. 2553

Portrait of an Old Jew

Antoine Pesne

oil, canvasBaroqueportraitportraitmanbeardhatoldfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures, as well as understanding chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hat.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on the subtle variations in color and value.

  4. step 04

    Work on the beard, using short, broken brushstrokes to create texture.

  5. step 05

    Define the features of the face, paying close attention to the eyes and mouth.

  6. step 06

    Refine the details of the hat and clothing, adding highlights and shadows.

  7. step 07

    Adjust the overall composition and values to create a sense of depth and realism.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · burnt sienna · yellow ochre · titanium white

secondary · ivory black · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, adjusting the ratios to create highlights and shadows. Use raw umber and ivory black for the darker areas of the background and clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·blending

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Using too much black, which can make the painting look muddy.
  • →Getting the proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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