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home·artworks·Portrait of an Art Historian and Restorer Alexander Anisimov
Portrait of an Art Historian and Restorer Alexander Anisimov by Boris Kustodiev

plate no. 0856

Portrait of an Art Historian and Restorer Alexander Anisimov

Boris Kustodiev, 1915

oil, cardboardRealismportraitportraitfigurelandscapeskybuildingsriver
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as landscape painting techniques for creating depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background landscape.

  2. step 02

    Establish the main areas of light and shadow on the face and clothing.

  3. step 03

    Block in the background landscape, focusing on the sky, river, and buildings.

  4. step 04

    Begin layering skin tones, paying attention to subtle color variations.

  5. step 05

    Refine the details of the facial features, hair, and beard.

  6. step 06

    Develop the background landscape further, adding details to the trees, river, and buildings.

  7. step 07

    Add highlights and shadows to the clothing and tie.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · viridian · ultramarine blue · raw sienna

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Create greens by mixing yellow ochre and viridian. Achieve atmospheric effects in the sky by blending blues, whites, and yellows.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring subtle color variations in the skin.
  • →Neglecting the background and its effect on the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·viridian oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-sized canvas to allow for sufficient detail. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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