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home·artworks·Portrait of Amelia Van Buren
Portrait of Amelia Van Buren by Thomas Eakins

plate no. 3341

Portrait of Amelia Van Buren

Thomas Eakins, 1891

oil, canvasRealismportraitportraitfigurechairdressfaninterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and chair.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the skin tones by layering thin washes of color, paying attention to subtle variations in light and shadow.

  4. step 04

    Refine the details of the face, focusing on capturing the likeness of the subject.

  5. step 05

    Paint the clothing, carefully observing the folds and textures of the fabric.

  6. step 06

    Render the chair, paying attention to its form and the play of light across its surface.

  7. step 07

    Add the background, keeping it dark and muted to emphasize the figure.

  8. step 08

    Add final details, such as the fan and the patterns on the fabric.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Mix skin tones by combining white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create dark shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the subtle variations in value and color.
  • →Ignoring the importance of edges in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red light, ivory black, yellow ochre, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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