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home·artworks·Portrait of Amalia Legrand
Portrait of Amalia Legrand by Pavel Fedotov

plate no. 4572

Portrait of Amalia Legrand

Pavel Fedotov, 1847

oil, canvasRealismportraitportraitfigurechairclothinginteriortable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle color variations to create realistic skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and background elements.

  2. step 02

    Block in the main shapes and colors of the background, chair, and figure using thin washes of paint.

  3. step 03

    Develop the skin tones, paying close attention to the subtle variations in color and value to create a realistic effect.

  4. step 04

    Work on the clothing, building up layers of paint to create depth and texture, focusing on the folds and shadows.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, ensuring accurate placement and proportions.

  6. step 06

    Refine the details of the hands and other accessories, such as the jewelry and lace.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · cadmium red

secondary · yellow ochre · titanium white · ultramarine blue

Mix skin tones using a combination of white, red, yellow, and brown. Achieve darks by mixing burnt umber and ivory black. Use ultramarine blue to cool down browns and create shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overblending, resulting in a flat and lifeless appearance.
  • →Incorrect color mixing, leading to unnatural skin tones.
  • →Ignoring the subtle variations in value and color.
  • →Neglecting the details of the hands and face.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, burnt umber, raw sienna, cadmium red, yellow ochre, titanium white, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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