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home·artworks·Portrait of Alfred Reynolds in the Taubman Museum of Art
Portrait of Alfred Reynolds  in the Taubman Museum of Art by Thomas Eakins

plate no. 6224

Portrait of Alfred Reynolds in the Taubman Museum of Art

Thomas Eakins

oilRealismportraitportraitmanmilitaryuniformfacial hairfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in depicting textures and details in clothing and facial features.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of dark, muted colors.

  3. step 03

    Block in the main shapes of the face and uniform with basic color mixtures.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add details to the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Refine the uniform, adding details such as buttons, insignia, and folds.

  7. step 07

    Develop the mustache and hair, using small brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · raw umber · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and ivory black to create the dark tones in the uniform and background.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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